1983 February 1: Newspaper article, "Being unruly and headstrong"
1983 February 2: Newspaper article, "Yung Mei Ling has good working ethic".
1983 February 4: Newspaper article, "Disappointed performance"
1983 February 5: Newspaper article, "an artist’s life is tearful and bloody".
1983 February 5: Newspaper article, "How I think about Yung Mei Ling".
1983 February 6: Newspaper article, "Kent visited Yung Mei Ling often while she was in hospital"
1983 February: Magazine interview 'Stitches in the eye, fortunately no scars (眼部受傷縫針.慶幸未留疤痕)'
1983 February 13: Cover magazine Women 137
1983 February 15: Newspaper article, "Yung Mei Ling takes all her work seriously".
1983 February 15: Newspaper article, "Yung Mei Ling has good relations with people".
1983 February 15: Newspaper article, "Yung Mei Ling dedicated herself to the work".
1983 February 18: Newspaper article, "Starting with a good performance"
1983 February 18: Newspaper article, "Producer Siu San Praised Yung highly".
1983 February 21: Newspaper article, "Tong Chun Yip has an intimate talk with Yung Mei Ling"
1983 February 21: Newspaper article, "Michael Miu drove Kent Tong up the mountain...".
1983 February 21: Newspaper article, "Felix Wong and Yung Mei Ling in The Legends...".
1983 February 22: Report and pictures of Yung Mei Ling filming water scenes for The legend
1983 February 23: Newspaper article, "No fear that “Accident marred her face”
1983 February 23: Newspaper article, "Three guys accompany Yung Mei Ling"
1983 February 23: Newspaper article, "Yung Mei Ling is hard to make a choice".
1983 February 23: Newspaper article, "Yung Mei Ling got eye injury".
1983 February 23: Newspaper article, "Audience will get to see Yung's performance".
1983 February 25: Newspaper article, "Yung Mei Ling acts as Huang Rong"
1983 February 26: Newspaper article ,"Wong Tin Lam analyses the role of Huang Rong”
1983 February 26: Newspaper article, "Yung Mei Ling concentrating on watching her performance".
1983 February 26: Newspaper article, "Wong Tin-Lam talked about Yung Mei Ling".
1983 February 26: Newspaper article, "It was a big challenge for Yung Mei Ling to act as heroine ".
1983 February 26: Newspaper article, "Marion Wong, Sharon Yeung and Yung Mei Ling".
1983 February 27: Newspaper article, "An introduction about “The Legend of the Condor Heroes” .
1983 February 27: Magazine article "Yung Mei Ling's ideal boyfriend"
1983 February 28: Magazine interview, "Nervous about broadcast".
1983 February: Article written by Yung Mei Ling (Not a fat girl anymore (不再做肥仔妹))
1983 Information about the serie The Legend of the Condor Heroes 射雕英雄传
1983 Videos and pictures about the making of The Legend of the Condor Heroes
1983 Screen shots and video fragments of The Legend of the Condor Heroes
1983 February: Magazine interview 'the ideal boyfriend of Yung Mei Ling (翁美玲心目中的理想男友)'
Comments
我不是因为83射雕喜欢金庸剧,也不会因为金庸剧喜欢83射雕,83射雕黄蓉是翁美玲的著作角色,如果不是翁美玲黄蓉,我不会看射雕英雄传。
翁美玲只有一个金庸角色就是射雕英雄传黄蓉,所以除射雕外,其它的金庸剧不能代表翁美玲,金庸小说就更不能代表翁美玲了,虽然射雕英雄传已经翻拍过多次了,但是黄蓉只有翁美玲一个,当我看了大陆最后一次翻拍的射雕英雄传,我对金庸作品都已产生疲惫的感觉了。
无论是香港或是大陆金庸剧,我都很疲劳,特别是大陆翻拍多次射雕,射雕新剧给我更是很累的感觉,除了那些小弟弟小妹妹脸上刷白和过分依赖电脑制作特技效果外,没有一点点新鲜感,用很理智的思维去思考大陆的新射雕,宋朝怎么可能有如此神奇的武功?怎么可能有如此神化的人物?几个武林高手都能飞上天了,朝廷还要几十万大军做什么呢?可以说大陆最后一次的射雕卖的就是演员那些刷白的脸,除外还有什么呢?也许是现在的小孩很喜欢刷白的脸,化妆品刷不白就用电脑和手机刷白。